A film record of the memories of Krakow citizens
about the experiences of 1939-1956
The "Save the Memory" project is a series of film interviews with witnesses of history from 1939-
1956. It was created to preserve the memory of heroines and heroes from this period and record
their experiences.
The heroine of the film is Niusia (Bronislawa) Horowitz-Karakulska, saved by Oskar Schindler. The
daughter of Regina (née Rosner) and David, she is a former prisoner of the German Nazi
concentration camps Plaszow, Auschwitz-Birkenau and Brünnlitz.
The woman is 83 years old and is framed to the waist. She has short gray hair, narrow lips and
painted eyelashes. She is dressed in a white turtle neck and black and white jacket. She sits on a
cream leather chair against a brown curtain.
Throughout the film, she shows footage from her private archive, family photos and documents. At
the end of the film appears a blackboard with the blue logo of the Historical Museum of the City of
Krakow and the white logo of Oskar Schindler's Emalia Factory Lipowa 4. At the bottom is the website
address: www.ocalicpamiec.mhk.pl and the year of production - 2013.
1932
Czarno-białe zdjęcie młodej Niusi z kilkuletnią córką Magdą. Fotografia obejmuje twarz Niusi oraz popiersie Magdy. Kobieta ma krótkie, czarne, kręcone włosy, ciemne, wyraźne brwi i pociągłą twarz, ujęta do szyi. Obok niej jest kilkuletnia dziewczynka w ciemnych, krótko obciętych włosach. Ubrana jest w ciemny mundurek, uśmiecha się do obiektywu.
Bronisława Horowitz (born in Kraków on 22 April 1932), daughter of Regina, née Rosner, and Dawid. A prisoner of Nazi German concentration camps at Plaszow, Auschwitz-Birkenau, and Brünnlitz, rescued by Oskar Schindler.
Niusia, as her family used to call her, lived with her parents in Św. Wawrzyńca Street, in the vicinity of the municipal power plant. Her grandparents Franciszka and Henryk Rosner resided nearby, in Berka Joselewicza Street. Henryk Rosner was a well-known violinist; he had a band (Krakowska Orkiestra Salonowa) with three of his five sons among the members. Sara and Szachne Horowitz, Niusia’s paternal grandparents, lived in Podgórze; Szachne was a typesetter at the printing house of the Ilustrowany Kurier Codzienny publishing company based at the Palace of the Press in Kraków.
Before the war and for a short time during the occupation, Dolek, Niusia’s father, worked as an accountant for Zenit, a company trading in technical materials, and Niusia’s mother, Regina, was a dressmaker. The family expanded soon – Niusia’s brother, Ryszard, was born on 5 May 1939.
In September, when she was about to start primary school, the war broke out and the family with the grandparents, uncle Edmund Horowitz, his wife Roma, and daughter Halinka evacuated to the east, leaving behind several-month-old Ryszard, who stayed in Kraków in the care of his nanny, Antosia Strózik. They went as far as the town of Janów Lubelski but returned to Kraków after the USSR invaded Poland on 17 September 1939.
It was in March 1941 that the Germans established a ghetto for Jews in Podgórze, and Niusia’s parents were permitted to continue living in the area. At first, they dwelled at her grandparents’ in Limanowskiego Street in Podgórze and then moved to a place in Rynek Podgórski. Niusia reminisced, ‘In the ghetto my parents were assigned duties at Luftgau in Kopernika Street. I was granted Ersatz [permission – editor’s note] and left to work with my parents.’ During the displacement operation in June 1942, Niusia’s grandfather Henryk and grandmother Franciszka Rosner were deported to the German extermination camp in Bełżec, where they were executed.
Dolek and Regina decided to rescue their children by sending them to Bochnia along with their cousin Olek Horowitz (son of Edmund – Dolek’s brother). Accompanied by her three-year-old brother and eight-year-old cousin Olek, Niusia left the ghetto shortly before the displacement in October 1942. All three of them got to Św. Gertrudy Street, where Neuman, their parents’ acquaintance, resided under an assumed “Aryan” identity. He drove them to their uncle Mundek in Bochnia. Niusia took up jobs in craftsmen’s workshops on day and night shifts. In early August 1943, right before the ghetto in Bochnia was liquidated, the uncle, who was an odeman there (member of Jüdischer Ordnungsdienst, as was Jewish police service colloquially named), transported the children to Plaszow camp where their parents had already been imprisoned from October 1942. She was employed in the brush-making workshop there.
Numerous factors contributed to Niusia’s survival in the camp; apart from her mother’s care and endeavors, sheer luck, and diamonds, the position of the family in the Plaszow camp was by all means decisive, too. Niusia’s father, Dolek Horowitz, was a kapo (prisoner functionary) at the Central Storehouse, her aunt Manci Rosner performed the function of a block leader at barrack no. 10, and the Rosner uncles – the musicians – were made to play for Amon Göth, the camp commandant, in his villa. It must have been under such circumstances that they crossed paths with Oskar Schindler, who promised to help them. Niusia and her mother spent a few weeks working for the Deutsche Emalienwaren Fabrik (DEF), where they were polishing cartridge cases. On 21 October, with her mother, grandmother, three aunts, and a cousin, she was evacuated through KL Auschwitz, where the women were kept for three weeks, to AL Brünnlitz; however, Niusia did not reunite with her father or brother there, since they had been sent to KL Auschwitz along with several other children with their fathers from AL Brünnlitz. A few years after the war, Niusia recalled, ‘Throughout our stay in Auschwitz we had no idea they were in the same labor camp… When in Brünnlitz, we lived in constant fear for my father and brother. We were sure they were going to be executed in Auschwitz. In Brünnlitz I operated a machine that was four times as big as me. I spent three weeks in hospital due to appendicitis. It was only thanks to better conditions than in other camps that I managed to survive. After the liberation, we returned to Kraków to find my little brother in a children’s home. During the liquidation of the Auschwitz camp, my daddy was sent to Gusen, and my brother was left [in KL Auschwitz – editor’s note]. He was taken care of by Romek Günz from Kraków. After the liberation, he was brought to Kraków by the Soviets. Three months afterward, my daddy came back in a pitiful condition’ (account given by Bronisława Horowitz for the Jewish Historical Institute in Warsaw).
Niusia Horowitz returned to Kraków, became a certified beautician, started a family in 1955 by getting married to Tadeusz Karkulski, a medical doctor, and gave birth to a daughter, named Magdalena, in the following year. Niusia Horowitz-Karakulska has two grandchildren and two great-grandchildren. Her parents migrated to Vienna in the late 1960s.
For almost 50 years Niusia Horowitz-Karakulska did not tell anyone about her wartime experiences. That situation changed notably in 1992−1993 when she was invited to join the team of consultants during the making of Steven Spielberg’s Schindler’s List. She has often participated in meetings as a witness to history ever since.
Gallery
Niusia’s parents: Regina (1906−1986), née Rosner, and Dolek Horowitz (1905−1974), Kraków, 1 March 1931, property of Niusia Horowitz-Karakulska
Czarno-białe zdjęcie rodziców Niusi – Reginy z domu Rosner i Dolka Horowitza. Oboje siedzą przy okrągłym stoliku, ujęci do pasa. Młoda para jest elegancko ubrana. Mężczyzna ma zaczesane do tyłu włosy, białą koszulę, czarną muchę i garnitur. Kobieta ma pomalowane szminką usta i kręcone włosy za ramiona, z opadającym na czoło loczkiem. Ubrana jest w czarną sukienkę z dekoltem i rękawkami wykończonymi jasną koronką. Na szyi ma korale, na lewym nadgarstku zegarek.
Niusia with her mum, Regina, Kraków, 1934, property of Niusia Horowitz-Karakulska
Black and white photo of a few-year-old Niusi on a walk with her mother - Regina. Behind them an white old building, and in front of it plants and passers-by. The girl has dark, curly hair and a large white bow on her head. She is dressed in a white dress. Next to her stands Regina. She has a white cap on her head, wearing a light-colored dress and a long black ankle-length coat. She smiles at the lens. Both are holding on to the railing.
Krakowska Orkiestra Salonowa Henryka Rosnera, Kraków, 30', XX
Black and white photo of Henryk Rosner's eleven-member men's salon orchestra in Krakow, Poland. The musicians are holding instruments in front of them, such as a cello, violin, or clarinet. All are dressed in black suits, white shirts, and ties or bowties.
Niusia’s grandmother Sara Horowitz (1888−1862), Kraków, 1946, property of Niusia Horowitz-Karakulska
A black and white photo of Niusi's grandmother Sara Horowitz. The woman is elderly, with neatly styled, wavy hair and narrow lips, smiling slightly, revealing her teeth. She is dressed in a black jacket with decorative buttons.
Niusia’s grandfather Szachne Horowitz (1888−1954), Kraków, 1946, property of Niusia Horowitz-Karakulska
A black and white photo of Niusi's grandfather Szachne Horowitz. The frame covers him from the waist up. The background of the photograph is the street. The man is elderly. He is dressed in a dark shirt, tie and black suit.
Niusia Horowitz-Karakulska, Roman Liebling (subsequently Polański), Ryszard Horowitz and Roma Ligocka on Wawel Hill, Kraków, 1946, property of Niusia Horowitz-Karakulska
Black and white photo of Niusi with Roman Liebling (later Polanski), Ryszard Horowitz and Roma Ligocka at Wawel Castle. In the background are buildings. The girl is about eleven years old. She has dark, curly hair, partially obscured by a beret. She is dressed in a short, buttoned-up coat. Next to her, on a wall, sits a several-year-old boy wearing a jacket and a yarmulke on his head. In front of them stand a several-year-old girl and a boy, of the same height. The boy is wearing dark clothing, while the girl is wearing a dark skirt with braces and a light-colored shirt.
Niusia Horowitz and Stella Müller, Zakopane, 1950
Black and white photo of Niusia with her friend - Stella Muller in Zakopane. Behind the girls is a wooden wall of a mountain hut. Stella has dark, bundled hair, looking to the side. She is dressed in simple black pants and a black sweater with bright patterns. She is sitting on a wooden bench. Next to her kneels Niusia, dressed in a light-colored coat and pants, a shawl and thick leather gloves.
The Horowitz family, from the left, sitting: Sara, Regina and Dolek, standing: Szachne, Niusia and Ryszard, Kraków, 1955, property of Niusia Horowitz-Karakulska
A black and white photo of the Horowitz family. Behind them, a wall covered with light-colored wallpaper and a painting of a woman hanging on it, framed in an ornate frame. From the left sits at the round table Sara – an elderly woman with gray hair and a serious expression; Regina - middle- aged and with short, dark, curly hair; and Dolek - middle-aged with dark hair. Standing from the left are Shahne – an elderly man with gray hair; Niusia - a young woman with short black hair; and Ryszard - a teenager with a dark, side-swept hairstyle. All are dressed in elegant clothes in dark colors.
Niusia Horowitz-Karakulska with her daughter Magda, Kraków, 1962, property of Niusia Horowitz-Karakulska
Black and white photo of young Niusia with her daughter Magda, who is a few years old. The photograph includes Niusia's face and a bust of Magda. The woman has short, black, curly hair, dark, defined eyebrows and a drawn face, framed up to her neck. Next to her is a several-year-old girl with dark, short-cropped hair. She is dressed in a dark uniform, smiling at the lens.